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COV91501

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COV21211
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Komm, süsses Kreuz!
The German viol in fantastic dialogues
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COV20804
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Stadtpfeifer · Waits
Ministriles · Piffari
Instrumental music of the 16th and 17th century
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Fa una canzone -
Italian Dance Music
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fantasia baroque
Improvisations on
Bach, Bertali & Pasquini
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Medium Bild
CD
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COV Nr.
COV 91501

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Until the 18th century, the boundaries between improvisation and interpretation were fluent. Soloists were able to make out the musical material of the intermediate and transition parts of a composition free off the cuff.
On this recording, Aleksandra and Alexander Grychtolik play the music in their own way, based partly on figured bass and partly on harmonic structures.
 
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Track List
Aleksandra & Alexander Grychtolik
1.
Ciaccona improvvisata per la Madonna di Grodowiec


(after Antonio Bertali, 1605–1669)
5:18




Bernardo Pasquini (1673–1710)
Sonata in D Minor for two figured basses
2.
I
(Allemanda)
1:23
3.
II
Adagio
3:37
4.
III
(Allegro)
1:00
Sonata in E Minor for two figured basses
5.
I
(Allegro)
1:16
6.
II
(Andante)
1:38
7.
III
(Giga)
1:11
Sonata in C Major for two figured basses
8.
I
(Andante)
1:22
9.
II
(Adagio)
2:03
10.
III
(Allegro)
0:53
Sonata in C Minor for two figured basses
11.
I
(Fuga)
0:56
12.
II
(Siciliano)
2:29
13.
III
(Allegro)
0:54




Alexander Grychtolik
Partita-Improvisation
14.
I
Toccata
1:31
15.
II
Allemanda
2:19
16.
III
Corrente
2:10
17.
IV
Al tempo di Sarabanda
2:37
18.
V
Giga
1:48




Carl Philipp Emanuel Bach (1714–1788)
19.
Free Invention for harpsichord in F sharp Minor
11:45

C. Ph. E. Bachs Empfindungen (1787), Wq. 67 (Aleksandra Grychtolik)





Aleksandra & Alexander Grychtolik
Concerto-Improvisation for 2 harpsichords
20.
I
Allegro
5:15
21.
II
Grave
2:42
22.
III
Allegro assai
2:44


total time:
56:51

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